Samira Henninge
fromsamirahanna@gmail.com



Education
B.F.A. in Studio (Fiber and Material Studies) The Art Institute Of Chicago 2025 
Early College Program, Champlain College 2020–2021

Exhibitions
Purple Window Gallery (MANA Contemporary), Group Show, In A Child's Place, Curated by Samiah Fulcher, Chicago IL | 2025
Handlers, Group, Common Ground Gallery, Seattle, Washington | 2025
Everything studios, Put it on a shirt, Solo show, Chicago, IL |  2025
GURE Gallery, FOURTH, Group show, Chicago, IL |  2025
Hardboiled Gallery Spring Group Show, Chicago, IL |  2025
Feelings Cut in Half, Two-Person Show – Hardboiled Gallery, Chicago, IL | 2024
SAIC Fall Undergraduate Group Exhibition, Chicago, IL | 2024
STRUT: SEABA Fashion Show, Generator Makerspace, Burlington, VT | 2019

Publications
Artist Spotlight Interview, LVL3, 2025
Like A Field Magazine — “How to Keep It Together (Or Not)” | Spring 2025
Swallow Press Fabric Books, Vol. 3 | 2023

Awards:
ZORA Creator Grant | 2025
SAIC Creative Honors Scholarship | 2021
Vermont Agency of Education Presidential Scholar for the Arts | 2020

Experience:

Wardrobe Head - Short Film (It’s Not That Bad), Directed by Victoria Ratermanis, Written/Produced by Lauren Fern — Chicago, IL

Print and Millinery Assistant, Isabel Weiss Collection – Fashion Collection, Chicago, IL  | 2025

Productions Intern, David2Leather, Florence, Italy | Summer 2024

Glass Technician, AO Glass Shop, Burlington, VT | 2019–2023

Antiques Handler, The Lamp Shop, Burlington, VT | 2019–2021







Born in Vermont. Based in Chicago, IL.

The best things I have in life are my memories, and like a compulsive collector, I try to preserve, distort, and reimagine them. Central to my collection process is my late mother's photographs, notes, diaries, and publications, whose layers of identity, perception, and loss guide me. By excavating her archive to revive the imprints of her existence, my material work reshapes it into a living channel that may once again be experienced. Layering and distorting images and symbols, I create an environment where memory is unstable, making it deeply human. I allow the viewer to confront the complex interplay between presence and absence, making the intangible real and giving form to the unseen. It's like wearing lipstick that’s just a little too bold or dancing like no one’s watching, messy, raw, and a little bit daring, but completely your own.
-fromsamira